Originally posted on Goodreads.com.
My second Vonnegut, I’ll let others review the book more thoroughly. However, while I don’t know that I’d call myself a Vonnegut fan, his style is excellent and his satire sharp (if at times reductionary), and several of these stories will make their way into my teaching curriculum. Of note among them:
“Harrison Bergeron”: America finally achieves equity—by punishing any upward-moving difference. The strong must wear weights, the beautiful must wear masks, the intelligent must wear in-ear thought interrupters. An excellent prediction (prophecy?) of the sacrificing of greatness, uniqueness, and ability for strict egalitarianism, and how doing so only fosters mediocrity and ressentiment.
“All the King’s Horses”: “AKH” features Colonel Bryan Kelly who has crash landed in Asia with his family and men. Captured by guerillas under supervision of the USSR, Kelly must play a game of chess with the guerilla leader, Pi Ying, with his men being killed as he loses his pieces. What follows is provides an examination of the responsibility of those in the military who must strategize with men’s lives, as well as a general critique of militarism in the vague parameters of the Cold War.
“The Euphio Question”: Scientists discover and broadcast a radio frequency from deep in space which causes anyone who hears it to experience absolute euphoria; tapped for marking as a new form of entertainment, the frequency subsequently becomes similar to a drug, dragging people’s lives to a halt. An excellent examination of drug addiction, as well as implicitly of the assumption that drugs are simply a problem of the lower classes.
“EPICAC”: A retelling of Cyrano de Bergerac with a supercomputer supplying poetic lines for its overly analytical handler in love with his lab-mate.
“Tomorrow, Tomorrow, and Tomorrow”: The invention of anti-gerasone has made dying of old age a thing of the past; subsequently, cities have sprawled (with the outskirts of Chicago being in Iowa), families have soured, and the old man just refuses to die. A humorous motif is the central family head’s will, which has been changed so many times it resembles little of the sombre document it once was. A satire that borders on the absurd, “T,T, and T” questions the presumption that we should want to live forever.