Originally posted on Goodreads.com and Reedsy Discovery.
“If you think you can beat the computer, that you can actually win, that’s when you’ll lose. Victory is a mirage, a will-o’-the-wisp, ignis fatuus.”
A choose-your-own-path (CYOP) novel that follows the seemingly disparate dual plots of a scientific study and a murder trial, The Friar’s Lantern by Greg Hickey is an engaging, entertaining examination of free will and biological determinism. Although the two storylines may at first seem distinct, they intertwine in both thematic and concrete ways to form a single experience pervaded with the question of whether our conscious individual choices really are as willful and clear-cut as we assume.
The fact that Hickey concretizes all of this—logic, philosophy, and contemporary real-world psychological research—into a CYOP novel, where the story one experiences is simultaneously a choice by the reader and a plotline predetermined by the author, adds a layer of self-awareness to the work that only increases its depth. This is underscored by the fact that the title of The Friar’s Lantern, another name for the ephemeral will-o’-the-wisp used within the story to describe the elusive idea that one might be able to outsmart a computer, thus stands not only for the determinism that forms the book’s central theme but also for the genre as a whole.
However, the novel’s depth does not mean it is inaccessible as entertainment. To be honest, I have not read many CYOP novels, so I came into the experience with little to compare it to. If I note any novelties or gripes, I am fully aware they may be unique to me—and they may be exactly what readers of the genre expect. While I initially tried to read all paths simultaneously, I soon stopped approaching the book as a reviewer and started enjoying it as a reader, devoting myself to one storyline before going back to read the others. To avoid spoilers I won’t name my path; I’ll only say that once I settled on the ONE I wanted, I did not deviate.
While the initial branches differed on binary lines, with little divergence, they eventually weave into completely different events before returning to (and then turning away from) essential shared moments. At first I worried the side characters’ actions and dialogue would simply mirror the opposite choices of the reader—thus changing their characters according to caprice—but I soon found that this was not the case, and that the characters develop consistent identities. Meanwhile, something I did not notice until near the book’s end was the lack, so far as I could find, of gender markers for the reader-protagonist. While I, of course, had imagined a male, I realized I could have as consistently imagined a female going through the story. I assume all of this is to be expected from the genre, but it was nonetheless gratifying to find such subtleties upon going back after my first finish. However, I would have nonetheless liked more interactions with and background of the characters apart from the philosophical questions at the book’s core.
However, the book has its flaws. One aspect of the book that jarred me from the first page is the amount of physical description in the scene-setting. I usually dislike so much description, but I assume this is a trope of the genre, where the narrator must lead the reader through what they are seeing in order to make their choices. Still, the descriptions can interrupt and run long, with some analogies being pulpy and abruptly hyperbolic, and at times a bit dated (the book explicitly takes place in 2012, of which one is reminded by comparisons and remarks relevant to that and the previous year). However, these detractions are minor, and others may overlook them more easily than I. I can’t imagine it’s anything but precarious to narrate the thoughts and reactions of one’s reader.
I enjoyed this read, especially after I let my choices guide my experience. The fact that the topics discussed are, through the course of the novel, cited in psychological studies, which Hickey names and incorporates for dramatic potential into the book, was fascinating, and it marks the book as an excellent example of literature’s ability to concretize and work out the implications of scientific peer review for a great reader experience. Although I give the book four stars due to the few stylistic noted above, the book was a great read, and, if indicative of the genre as a whole, not my last CYOP novel.
Disclaimer: I received a copy of the book for review from the author.